What the GI’s listened to during WWII. Cannonball Adderley Mercy Mercy Mercy 1966. As ragtime and the blues began to circulate, New Orleans incubated music that would come to be called jazz, and the unique social construction of the city provided a cadre of musicians as well as an audience to support and sustain a particular form of musical expression. And yet, the transposition of many of the leading jazz players out of New Orleans had an immeasurable impact on American musical culture. Ragtime peaked in the two decades before America entered World War I, and much of its popularity was made possible through new business practices that allowed for the mass production of pianos and the mass distribution of sheet music. West coast jazz musicians experiment with piano-less ensemble. Your current browser may not support copying via this button. Other notable names include Eric Dolphy, SunRa, Albert Ayler, Henry Threadgill, Archie Schepp, Muhal Richard Abrams, AACM group in Chicago, Pharoah Sanders Creator Has Master Plan 1969. Listen to Jimmy Smith’s HammondB3 jazz organ Back at the Chicken Shack; David Fathead Newman Hard Times 1958; LaVern Baker Revival Day 1958; Bobby Timmons This Here 1960; Grant Green Sunday Morning 1961. BLACKS, WHITES and IMMIGRANTS find themselves in moments of contact or confrontation; there is the potential for violence. The cymbal keeps the beat. Charlie Parker Suede Shoes 1951; Howard Rumsey Mambo Los Feliz 1953. In addition, the Duke Ellington Collection and America’s Jazz Heritage Collection at the Smithsonian are also good resources. With legitimate training from a premier tutor as well as a strong interest in hot jazz records, Goodman ably combined technical musicality with a keen ear for improvisation and rhythmic inventiveness to produce a long career of popular recordings, radio programs, and live performances (Figure 3). Jazz had been recorded before, and the Original Dixieland Jazz Band recorded several sides for Columbia and Victor Records in New York City in 1917, but in the subsequent decade, recording technology eclipsed sheet music as the ideal way to transmit jazz music. ® In New Orleans in the late 19th and early 20th centuries, creole musicians like pianist Jelly Roll Morton and clarinetists Alphonse Picou and Sidney Bechet, white musicians such as brass band leader “Papa” Jack Laine and cornetist Nick LaRocca, and black cornetists Buddy Bolden and Joe “King” Oliver each contributed in different ways to a flourishing music scene defined by syncopation and improvisation. a. jainism b. daoism c. buddhism d. confusciansim - the answers to estudyassistant.com >Also at this time: the Harlem stride pianists: James P Johnson Honeysuckle Rose 1930; Fats Waller Sit Right Down 1935 (hit #5 on charts); Willie the Lion Smith and Eubie Blake (played with James Reese Europe in the Teens) establishes long tradition of jazz solo pianists (Art Tatum, Erroll Garner, Oscar Peterson) that continues thru Keith Jarrett & today the astonishing master stride pianist Stephanie Trick. For the blues, important repositories include the Blues Archive at the University of Mississippi, the Chicago Blues Archive in the Chicago Public Library, the Samuel and Ann Charters Archives of Blues and Vernacular African American Musical Culture at the University of Connecticut, the Delta Blues Museum in Clarksdale, Mississippi, and the Lomax Family Collections at the American Folklife Center at the Library of Congress. JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. Listen to the soundtrack behind this Acura car ad. Matthias has been fascinated by the music of Scott Joplin and has taught himself to play ragtime from CDs he acquired. Bars and honkytonks were settings, but so were private gatherings, funerals, dances, and a large array of other events. This is the jazz your grandma listened to on the radio. In terms of musical style, Early New Orleans style typically has a “flat four” beat (chug chug chug chug, repeated), and features syncopation and polyphony — trumpet leads with trombone & clarinet in front line. By the 20th century (as ragtime became popular), various forms of the blues helped define, musically, the experience of many black southerners. The 1950s are considered the apex of jazz as an art form (not in popularity), these are the peak of the “Blue Note” years. How would you apply an anthropological perspective? Although the big band variant would become the most well known, New York City encompassed several distinct styles of jazz, from Fats Waller’s solo stride piano to the polished arrangements of Fletcher Henderson to the exploratory ambitions of Duke Ellington (Figure 2). RAGTIME (Dance) (The dance swirls around our three principals--MOTHER, TATEH and COALHOUSE--increasing in intensity. Connected to the work songs and spirituals of the slave community, the blues was a music intricately connected to the lives of black southerners. 1,678 likes. Soon small groups vs big bands began taking up this new style. My favorite Basie: “Atomic” album Flight of the Foo Birds 1957. Still, both of these iterations shared a distinctive verse and musical structure that gave the blues a specific identity. This cultural shift signaled a revolution in terms of crafting an integrated nation as technological innovations and mass production helped create a more singular American culture. Tito Puente Dance Mania 1958. See more ideas about ellis island, ellis island immigrants, history. Use the chart on slide 5 of the presentation, New Orleans Genres and Origin , to review the … I’ve often been asked by Newcomers for a basic “jazz decoder” to help them start to unlock what’s going on and first begin to navigate the world of jazz. The Tharp family owned and operated a drive-in movie theater in Rialto, California, and Twyla attended school in nearby San Bernardino. Far from one-dimensional, these genres have encouraged a tremendous amount of creative and dynamic studies. CAUTION: Free Jazz is some amazing (“out there”) stuff, but it’s probably not best starting point for Newcomers. While Louis Armstrong and Jelly Roll Morton have garnered serious studies for decades, the actual history of the music was shrouded more often than not with the vagaries of myth and legend instead of solid historical work. Unlike ragtime, the blues has been the focus of numerous scholars from wildly diverse fields for decades. If you know these ten main styles, then you are well on your way to decoding and enjoying classic jazz! At same time in the 1950s, musicians in Los Angeles “cool things off.” From their central base, Lighthouse Cafe’ in Hermosa Beach, they play a quieter jazz, chamber music volume, with a laid back easy sound. See MSS 507, “Jelly Roll Morton Correspondence,” William Russell Collection, Folder 1, Historic New Orleans Collection, New Orleans, Louisiana. Gordon Parks, “A trio of musicians from Duke Ellington’s orchestra during the early morning broadcast,” 1943. The music existed within a fluid spectrum between folk and commerce, with neighbors performing for neighbors in and out of a formal entertainment world. America in 1900 was mainly a rural and disconnected nation, defined by regional identities where cultural forms were transmitted through live performances. Printed from Oxford Research Encyclopedias, American History. 1e. But vaudeville also brought with it certain elements from blackface minstrelsy.7 Ragtime emerged from this complicated context of blackface caricature, racist comedic tropes, and a burgeoning entertainment market. Prolog More financial institutions, professionals, educators, entertainers and politicians were on this one mile of street than any other African American street in the South. Look at this line-up for the 1979–2008 Chicago JazzFests. West Coast jazz traces it’s roots to Miles Davis’ Birth of the Cool nonet in 1948–1950. Regional cultures blurred as a national culture emerged via radio transmissions, motion picture releases, and phonograph records. Ragtime, a highly syncopated form of music that may have developed from the transfer of a black banjo folk style to the piano, was first played by black musicians in dance halls, saloons, and brothels after the emancipation of the slaves in 1863. They sold instruments and accessories, too. Records, unlike sheet music, disseminated the significant aspects of jazz: the rhythmic pulse, the improvisational structure, and modern impulse to a growing national audience. 8. The large and diverse audience made possible through phonograph sales, radio broadcasts, and motion pictures produced a national musical culture. These innovations helped link the localized, if widespread, world of vaudeville theaters to a national, mass-produced and distributed, culture.6 Vaudeville theaters helped develop an audience for ragtime as well as provide for a repertoire. RAGTIME Ragtime is an American popular musical style mainly for piano, originating in theAfro- American communities in St. Louis and New Orleans. More recently, however, several groundbreaking studies have reshaped and reenergized this incredibly important and fertile area. In the late 1970s, Donald Marquis and others began to bolster the field with strong archival research. Goodman played Carnegie Hall at the top of his jazz game leading his crack band—including Gene Krupa on drums and Harry James on trumpet—through new, original arrangements by Fletcher Henderson. African Americans negotiated this challenging landscape through a combination of playing to and fighting against expectations from audiences as well as businessmen. There before the boys lay more money than my nine musicians were being paid for the entire engagement.” “Then,” Handy succinctly summarized, “I saw the beauty of primitive music.”11. Earl Hines Orch. Jelly Roll Morton, “I Created Jazz in 1902,” Down Beat (August 1938): 3. Nell Irving Painter, Standing at Armageddon: The United States, 1877–1919 (New York: W. W. Norton, 1987), 116–140. Likewise, jazz got started as a “musical dish” in one region and subsequently migrated over a 50 year period to other locales, each making its own new “flavor”of jazz. Copy this link, or click below to email it to a friend. >Today: Joe LaBarbera, Bill Cunliffe and Lee Konitz still playing at 87! Sonny Clark Cool Struttin 1958. Quoted in David Meltzer, ed., Writing Jazz (San Francisco: Mercury Press, 1999), 43. What aspect or type of music might you study as an ethnomusicologist, and why? “A rain of silver dollars began to fall around the outlandish, stomping feet,” Handy wrote, “Dollars, quarters, halves—the shower grew heavier and continued so long I strained my neck to get a better look. >Today: KC riff style jazz is still in use. WWII fuel & rubber shortages made Big Band bus touring hard to sustain. Other greats incl. This pronounced, ragged beat gave ragtime its name as well as its attendant controversy. These Mississippi trips inspired Handy to begin experimenting with this new form. By the mid/late 1960s in the post-JFK/MLK Vietnam era, rock had invaded (the Beatles appeared on Ed Sullivan in 1964), and jazz had hard time deciding where to go next.
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